The flowers are not tiny details, where the difference in prominence could be explained by insufficient MTF in the original 1999 transfer, likewise the sudden increase in prominence of the stain is very odd. While Fox claims that David Fincher was deeply involved with the production of this Blu-ray, his involvement isn't really apparent anywhere (save for a cute Easter Egg I'll get to in a minute). Norton (American History X, Primal Fear) is incredible here, with such a restrained performance, yet one filled with power and emotion.

One thing is for sure: I like this movie so much I have to fight to stop myself from re-watching multiple times during this review. However it’s been sharpened/contrast boosted to make it look consistently more impressive than the 1999 transfer.You’ll get an idea of what you’re in for when The Dust Brothers’ score kicks in during the opening credits. The plot is slick, well paced, exciting and fiercely intelligent, with more twists and turns than you can imagine. This is how talent files should be done, and I hope other releases mirror this type of extensive cast and crew information in the future. Rounding out this package is a promotions gallery, which features lobby cards (1:30), the press kit which was in the form of a hilariously subversive 'Fight Club' catalog (2:5) and a collection of stills (13:05). One of the most unique films of the late 20th century, FIGHT CLUB is a pitch-black comedy of striking intensity.

Eventually his fly-everywhere-feel-nothing lifestyle catches up with him, giving him terrible insomnia.My only complaint is that Fincher seems unemotional and non energetic about the film, but this is still a packed track. There are reviews elsewhere that enumerate the full list of features and behind the scenes content, I won’t waste your time by repeating them. Both these things could be explained by frequency selective contrast boosting which would make both more visible.

Based on a reader suggestion, I decided to take a look at the various home video versions of Fight Club that are available. Cutting off people at the ankles is generally a composition no-no, and it seems likely they correctly concluded that nobody was going to be paying attention to Marla’s shoes during this scene anyway.

It's also interesting to note that the reasons why each of the scenes was cut/amended is also explained, as well as a comparison with the finished scene, backstage footage and multiple angles (where applicable). This simply is one of the most inspirational and stunning movies of the last ten years and deserves to be in every cinema fans collection. Daylight scenes were shot on Kodak EXR 100T and Vision 250D film, while the majority of night scenes were shot on ‘faster’, grainier Vision 500T.